Statement     CV     Texts

Ru Kim





        I KNOW WHAT I’VE DONE, 2024

        Of Civilization

        Of the Land

        Of the Waters

        I KNOW WHAT I’VE DONE

        Let it be according to your words

        For if the question concerns the Land

        We let the tongue speak

        Before the Bite

        After the Bite

        snake lake/island wilding

        Enact/In Act, 2024

        a fist is a fist is a fist, 2023

        Ignition

        Condensation

        우징 Oozing 雨徵, 2023

        The Festival of Skin, 2023

        S.A.N.D.

        Interpermeations

        Ecotone: Capacity for Escape, 2022

        Code Name: Non-Binary, 2022

        Meia-Noite - ANOZERO ‘21-’22
        Coimbra Biennial of Contemporary Art, 2022

        Fascination, 2021

        Strategies of Dissolution

        Face Value, 2021

        tilde: Three Ecotones

        Tax Returns/분청사기상감인화문붕명둔접

        Cultus, Cultellus

       ‘Peoples of Europe, Defend your Holiest
        Possessions’

        Tirer, Résister, Rompre : (Anti)colonial monuments

        And so I started dancing romantically with my
        partner, to imagine them as being capable of love

        hindsight ver.2      



Mark

And so I started dancing romantically with my partner, to imagine them as being capable of love (2019)



And so i started dancing romantically with my partner; to imagine them as being capable of love, paper, inkjet print, bolts, screws, video stills (video 1’01’’), 2019












A selection of images from video stills that constitute four flipbooks.


| video link |


Et si l’on mettait dans l’usage du couteau une intention d’aimer?


What could it look like to treat an object with love?
To imagine it being capable of loving?

I took the knife up as a lover and we danced.


A series of four flipbooks, objects that users may choose to activate.
Mark